Meghan Finn is a director based in Brooklyn, NY. Most recently she directed DOOMOCRACY by artist Pedro Reyes for Creative Time at the Brooklyn Army Terminal.
Recent credits include: Sam's Tea Shack by Ben Gassman and Sam Soghor (The Tank at STK), The Offending Gesture by Mac Wellman (The Tank/3LD at the Connelly Theater NYTIMES' and TIMEOUTNY CRITICS' PICK); American Power performed by photographer Mitch Epstein and Composer/Cellist Erik Friedlander at the V&A London and The Wexner Center, Columbus, Ohio; Gary Winter's DAREDEVIL at The Brick; The Downtown Loop by Ben Gassman (3LD/3D+ Productions/Teeth of Tooth Atelier); Take Me Home by Alexandra Collier set in a taxi cab (Incubator Arts Project/LPR). Other recent credits include: The Service Road by Erin Courtney (Adhesive Theater Project/NYTIMES Critics' Pick), Motel Cherry by Peggy Stafford (Summerworks Clubbed Thumb/New Georges HERE Arts Center Huffington Post Top 10 of 2012) and 3 2's; or AFAR by Mac Wellman (Dixon Place), Relative Value by Jesse Longman (3LD), Saturn Nights by Jess Barbagallo (Incubator Arts Project), Waltz by Corina Copp (CSC -Weasel), Blue Dress Reduction featuring Eliza Bent (PS122), HIM by E.E. Cummings (Walkerspace), The Fake History of George the Last by Misha Shulman (the longest lunch/TNC), A Week at the NJ Shore by Valerie Work (the longest lunch/The Bushwick Starr, and others). Finn holds an MFA in Directing from Brooklyn College and a BA in Theater from the University of Southern California. She was a member of the 2009 Lincoln Center Director's Lab, 2009/10 Soho Rep Writer/Director Lab, New Georges' The Jam, a 2014 & 2016 New Georges Audrey Resident and co-founder of the longest lunch (2002-present).